In doing research on the Tree of Heaven, I discovered
that it is also known as the Ailanthus, and is common in my area.
I found some of the trees, and concluded that it would be possible to make
use of the natural materials from the tree in the binding. The main
cover is the outer bark of the Ailanthus, the titling is done by blind
tooling the seed pods from the tree. In this way, to open the book
is to open the tree, to step into the poem in a very real sense. I
decided upon a simple sewn structure in order to keep the sense of the trade
book, and because the author's language is clear, clean, straight-forward,
and simple in all the best connotations of the term.
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